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While spin-offs have been around for a long time, superhero franchises and fantasy series have recently popularised the idea of giving fan-favourite characters their own spotlight, especially on OTT platforms. The offshoot plotlines of these characters, who would otherwise get minimal screen time in big-budget blockbusters, successfully allow makers to not only satisfy the audience but also utilise world-building. Some of the popular examples of spin-off series, which already have multiple seasons in the pipeline, include Gen V (The Boys), House of the Dragon (Game of Thrones) and The Rings Of Power (Lord of the Rings).
Even though such offshoot productions, whether as films or shows, are all the rage in the West among the makers, the trend is yet to gain momentum in India. To understand more, we speak to some Indian makers and actors for their take on its surprising absence in India, along with pros and cons of the same.
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Maintaining the mystery
A project includes a specific number of characters, each with a unique role to play. For actor Gulshan Devaiah, who plays Chaar Cut Atmaram in the series Guns and Gulaabs, not everyone’s story needs to be highlighted in a separate spin-off, as that might take away from the original plot. “I have no idea why we’re not doing spin-offs but I’m not sure if it’s a good trend to follow. In my case, I’d say there shouldn’t be any spin-off for Atmaram. Some characters lose their charm if there’s no mystery to them,” Devaiah shares.
Pressure of the original plot
Actor Sharib Hashmi, who plays JK in The Family Man series, echoes a similar sentiment and feels that spin-offs shouldn’t be made just so that the original project remains relevant. “It should only be made if there is ample scope, and should not be seen as a mere opportunity to earn money or stay relevant.” However, Hashmi is not altogether against the idea. He continues, “I would be the happiest if my character gets a spin-off but only if there is a good story. Look at Better Call Saul (Breaking Bad), which had such a brilliant storyline, and is as good as the original.”
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Beginning after the ending
While original plots might leave very little room for detours, for Kanishk Varma, director of Sanak (2021) and the third season of the cricket-based thriller Inside Edge, a spin-off is a great way to immerse in the universe whose original story has reached a certain finale. “You have to know when to throw in the towel. You cannot keep on dragging a story. So, spin-offs are a very cool idea of coming back. You have a scope of going back to a series and working on something you wanted to do in a particular season of the show.”
Need for a change
While offshoot productions are lacking in India, writer Kanika Dhillon, who has been behind the story of Hasseen Dillruba (2021) and the latest instalment, Phir Aayi Hasseen Dillruba, opines that we are soon going to catch up. “We have already caught on to the multi-universe sequel culture, which is prevalent in Hollywood. So, I am sure spin-offs will become a thing here as well, especially since people give a lot of love to [side] characters,” she shares.
Abhishek Banerjee, whose character Hathoda Tyagi from the series Paatal Lok fetched him critical praise, adds, “A lot of characters have the potential [for a spin-off] after they become a hit with the audiences. So, I feel the audiences would definitely want that change.”
