Imtiaz asked whether being a Dalit made Chamkila unique or if it was his talent. He questioned whether highlighting the musician’s Dalit identity inadvertently perpetuates the caste system and confines the musician to the same social constraints he faced. The speaker emphasized his desire to narrate the musician’s story without the overshadowing influence of caste. He pointed out that many musicians in Punjab at the time were also Dalit, prompting him to focus on the unique qualities and achievements that distinguished this particular musician, rather than solely on his caste background.
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The director stated that repeatedly highlighting the musician’s Dalit identity and the caste-related issues in Punjab is not the focus of his story. He believes that doing so does not serve society positively. Instead, he insists that his film is primarily a love story between the musician and his music, focusing on musical performance. By treating it this way, the narrative moves beyond the confines of caste-related issues.He concluded by saying that Chamkila also made jokes about himself, which is a kind of self-repression. If he represented this, he would have to delve into that mentality. He didn’t want to take that journey. He is aware of the criticism and thought of addressing it.